| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 |
|
По разделу |
8384 | 679 |
61 |
56 |
53 |
50 |
71 |
56 |
62 |
43 |
57 |
60 |
54 |
56 |
1 |
1 |
3 |
3 |
2 |
3 |
5 |
2 |
4 |
1 |
3 |
1 |
2 |
3 |
2 |
2 |
2 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
4 |
3 |
1 |
2 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
4 |
3 |
1 |
2 |
2 |
2 |
3 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
3 |
4 |
2 |
|
"Чрево Парижа" Золя |
638 | 257 |
31 |
23 |
20 |
15 |
39 |
24 |
27 |
13 |
11 |
18 |
18 |
18 |
1 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
4 |
0 |
3 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
|
Маринетти, Филиппо Томмазо |
790 | 256 |
26 |
20 |
16 |
22 |
19 |
17 |
16 |
16 |
28 |
26 |
24 |
26 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
4 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
|
Малларме Стефан |
665 | 229 |
25 |
15 |
21 |
15 |
31 |
21 |
22 |
16 |
11 |
22 |
11 |
19 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
|
Готье Теофиль |
679 | 216 |
20 |
24 |
22 |
19 |
13 |
18 |
15 |
5 |
17 |
21 |
20 |
22 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Гюисманс |
789 | 187 |
25 |
15 |
20 |
15 |
9 |
12 |
12 |
14 |
18 |
13 |
12 |
22 |
0 |
1 |
1 |
2 |
0 |
0 |
5 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
|
Современная критика о романе "Чрево Парижа" |
501 | 174 |
21 |
25 |
18 |
17 |
7 |
16 |
26 |
10 |
7 |
7 |
7 |
13 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
|
Гонкуры |
549 | 174 |
24 |
17 |
15 |
14 |
9 |
12 |
13 |
5 |
13 |
7 |
18 |
27 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
|
Предисловие к пасторали "Аминта" Торквато Тассо |
714 | 137 |
13 |
13 |
16 |
9 |
6 |
12 |
8 |
9 |
11 |
15 |
10 |
15 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
|
Манифесты (художественно-литературные) |
580 | 134 |
13 |
14 |
16 |
11 |
11 |
15 |
10 |
7 |
4 |
12 |
13 |
8 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Ожье Эмиль |
490 | 126 |
16 |
13 |
16 |
9 |
7 |
17 |
13 |
4 |
4 |
11 |
8 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
|
Тематика |
456 | 122 |
15 |
17 |
16 |
9 |
9 |
14 |
10 |
5 |
6 |
8 |
6 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
М. Д. Эйхенгольц: краткая справка |
644 | 114 |
14 |
13 |
12 |
8 |
7 |
11 |
7 |
7 |
7 |
10 |
12 |
6 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
|
Манифесты |
457 | 113 |
12 |
12 |
16 |
13 |
9 |
12 |
7 |
6 |
5 |
3 |
6 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Течение (художественно-литературное) |
432 | 108 |
13 |
13 |
11 |
8 |
8 |
11 |
7 |
4 |
7 |
9 |
8 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |