| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
По разделу |
8540 | 529 |
22 |
48 |
31 |
37 |
32 |
50 |
62 |
55 |
56 |
46 |
44 |
46 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
4 |
3 |
1 |
0 |
6 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
Искусство с социологической точки зрения |
2810 | 297 |
11 |
35 |
17 |
25 |
18 |
26 |
34 |
26 |
28 |
26 |
23 |
28 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
4 |
3 |
1 |
0 |
6 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
Стихотворения |
313 | 205 |
9 |
14 |
11 |
15 |
10 |
14 |
21 |
22 |
29 |
20 |
22 |
18 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
Современная эстетика |
637 | 168 |
10 |
13 |
14 |
9 |
12 |
20 |
23 |
16 |
16 |
11 |
15 |
9 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
Происхождение идеи времени. Гюйо. Перевод с французского. Смоленск, 1891 г |
518 | 154 |
7 |
9 |
12 |
10 |
6 |
17 |
15 |
19 |
14 |
17 |
19 |
9 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
Наследственность и внушение, как факторы воспитания |
692 | 143 |
6 |
13 |
9 |
9 |
6 |
13 |
19 |
15 |
14 |
15 |
16 |
8 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
Воспитание и наследственность. Гюйо. Перев. К. Толстого |
428 | 133 |
8 |
8 |
9 |
7 |
9 |
12 |
17 |
14 |
18 |
11 |
13 |
7 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Разбитое крыло |
1372 | 132 |
8 |
9 |
9 |
8 |
9 |
10 |
14 |
16 |
16 |
10 |
12 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
"Чтоб постигнуть сияющий солнечный луч..." |
706 | 122 |
6 |
5 |
10 |
7 |
2 |
9 |
23 |
15 |
12 |
13 |
12 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Жан-Мари Гюйо: справка |
1064 | 118 |
6 |
7 |
8 |
7 |
5 |
9 |
12 |
17 |
14 |
14 |
11 |
8 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |