| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
По разделу |
8950 | 499 |
12 |
53 |
48 |
35 |
36 |
48 |
31 |
37 |
32 |
50 |
62 |
55 |
0 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
5 |
6 |
1 |
1 |
2 |
2 |
2 |
1 |
4 |
2 |
2 |
2 |
2 |
3 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
2 |
1 |
4 |
3 |
4 |
4 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
Искусство с социологической точки зрения |
2923 | 305 |
8 |
31 |
40 |
24 |
21 |
35 |
17 |
25 |
18 |
26 |
34 |
26 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
4 |
1 |
4 |
4 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
Стихотворения |
358 | 161 |
2 |
17 |
10 |
11 |
14 |
14 |
11 |
15 |
10 |
14 |
21 |
22 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
Современная эстетика |
674 | 154 |
5 |
10 |
7 |
10 |
15 |
13 |
14 |
9 |
12 |
20 |
23 |
16 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
Происхождение идеи времени. Гюйо. Перевод с французского. Смоленск, 1891 г |
559 | 136 |
0 |
14 |
13 |
9 |
12 |
9 |
12 |
10 |
6 |
17 |
15 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
"Чтоб постигнуть сияющий солнечный луч..." |
754 | 125 |
3 |
23 |
11 |
8 |
9 |
5 |
10 |
7 |
2 |
9 |
23 |
15 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
5 |
6 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
Наследственность и внушение, как факторы воспитания |
722 | 120 |
0 |
11 |
8 |
8 |
9 |
13 |
9 |
9 |
6 |
13 |
19 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
Разбитое крыло |
1408 | 119 |
1 |
14 |
8 |
9 |
12 |
9 |
9 |
8 |
9 |
10 |
14 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Воспитание и наследственность. Гюйо. Перев. К. Толстого |
460 | 116 |
2 |
13 |
7 |
7 |
11 |
8 |
9 |
7 |
9 |
12 |
17 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Жан-Мари Гюйо: справка |
1092 | 99 |
0 |
10 |
9 |
5 |
10 |
7 |
8 |
7 |
5 |
9 |
12 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |