| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
По разделу |
705620 | 4342 |
46 |
177 |
279 |
384 |
355 |
764 |
1479 |
138 |
142 |
172 |
202 |
204 |
1 |
9 |
4 |
6 |
4 |
4 |
7 |
5 |
3 |
3 |
4 |
2 |
2 |
11 |
5 |
6 |
6 |
7 |
5 |
5 |
6 |
10 |
8 |
5 |
8 |
5 |
7 |
6 |
8 |
5 |
6 |
9 |
5 |
9 |
4 |
9 |
6 |
8 |
11 |
14 |
8 |
9 |
16 |
8 |
4 |
5 |
8 |
13 |
8 |
9 |
6 |
8 |
5 |
11 |
14 |
15 |
6 |
12 |
12 |
11 |
15 |
6 |
После "Грозы" Островского |
120841 | 3863 |
37 |
146 |
215 |
308 |
314 |
764 |
1478 |
80 |
82 |
115 |
173 |
151 |
0 |
7 |
4 |
6 |
3 |
2 |
7 |
2 |
3 |
3 |
4 |
2 |
2 |
8 |
3 |
3 |
4 |
7 |
5 |
5 |
3 |
10 |
8 |
5 |
8 |
5 |
7 |
6 |
5 |
4 |
6 |
9 |
3 |
4 |
4 |
3 |
5 |
8 |
11 |
14 |
8 |
5 |
16 |
4 |
4 |
5 |
4 |
6 |
8 |
4 |
6 |
8 |
4 |
9 |
10 |
4 |
3 |
12 |
12 |
11 |
9 |
5 |
Взгляд на русскую литературу со смерти Пушкина |
35126 | 1434 |
31 |
109 |
195 |
219 |
158 |
112 |
89 |
68 |
106 |
128 |
109 |
110 |
0 |
9 |
1 |
5 |
0 |
4 |
2 |
5 |
3 |
2 |
1 |
2 |
2 |
5 |
5 |
6 |
3 |
2 |
1 |
3 |
2 |
2 |
6 |
4 |
2 |
4 |
2 |
2 |
8 |
3 |
3 |
4 |
5 |
9 |
3 |
9 |
6 |
5 |
3 |
4 |
3 |
9 |
8 |
8 |
4 |
2 |
8 |
13 |
8 |
9 |
5 |
8 |
5 |
11 |
14 |
15 |
6 |
4 |
4 |
3 |
15 |
6 |
Избранные стихотворения |
34251 | 1084 |
18 |
90 |
106 |
117 |
103 |
90 |
81 |
89 |
87 |
94 |
93 |
116 |
0 |
2 |
0 |
2 |
4 |
0 |
4 |
3 |
2 |
1 |
4 |
2 |
2 |
5 |
2 |
3 |
6 |
2 |
1 |
3 |
6 |
2 |
7 |
2 |
4 |
5 |
4 |
3 |
2 |
5 |
2 |
3 |
2 |
4 |
1 |
1 |
2 |
5 |
3 |
4 |
1 |
2 |
4 |
5 |
1 |
4 |
5 |
5 |
3 |
4 |
4 |
3 |
4 |
2 |
2 |
4 |
2 |
1 |
2 |
2 |
2 |
4 |
И. С. Тургенев и его деятельность |
18466 | 705 |
24 |
71 |
71 |
65 |
106 |
85 |
63 |
34 |
21 |
50 |
58 |
57 |
0 |
5 |
0 |
0 |
4 |
1 |
3 |
5 |
3 |
3 |
4 |
2 |
1 |
5 |
2 |
1 |
4 |
5 |
0 |
5 |
3 |
2 |
4 |
3 |
1 |
5 |
2 |
1 |
3 |
4 |
2 |
2 |
1 |
0 |
0 |
6 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
3 |
6 |
3 |
3 |
6 |
3 |
5 |
2 |
6 |
0 |
Критический взгляд на основы, значение и приемы современной критики искусства |
18957 | 635 |
18 |
30 |
86 |
165 |
34 |
30 |
48 |
21 |
28 |
41 |
57 |
77 |
0 |
8 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
8 |
4 |
0 |
2 |
0 |
6 |
6 |
2 |
2 |
3 |
3 |
7 |
6 |
10 |
1 |
1 |
1 |
0 |
4 |
4 |
Несколько слов о законах и терминах органической критики |
9690 | 578 |
9 |
49 |
49 |
99 |
33 |
34 |
62 |
41 |
33 |
52 |
55 |
62 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
2 |
4 |
5 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
2 |
3 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
4 |
0 |
2 |
1 |
3 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
1 |
3 |
3 |
1 |
4 |
0 |
1 |
0 |
Письма |
9579 | 571 |
6 |
40 |
46 |
61 |
50 |
56 |
46 |
56 |
48 |
43 |
60 |
59 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
3 |
4 |
2 |
2 |
4 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
По поводу нового издания старой вещи |
15213 | 526 |
3 |
47 |
36 |
40 |
137 |
49 |
49 |
24 |
15 |
33 |
39 |
54 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
7 |
3 |
2 |
2 |
1 |
1 |
3 |
2 |
3 |
3 |
3 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
Искусство и нравственность |
15917 | 501 |
12 |
52 |
32 |
71 |
51 |
37 |
37 |
35 |
17 |
40 |
53 |
64 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
11 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
1 |
2 |
3 |
1 |
1 |
2 |
2 |
2 |
0 |
3 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
Парадоксы органической критики |
11020 | 499 |
13 |
40 |
42 |
83 |
42 |
38 |
27 |
32 |
19 |
45 |
61 |
57 |
0 |
2 |
0 |
3 |
2 |
0 |
4 |
0 |
2 |
0 |
2 |
0 |
2 |
5 |
2 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
4 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
3 |
3 |
4 |
1 |
1 |
1 |
0 |
4 |
0 |
Реализм и идеализм в нашей литературе |
15030 | 495 |
7 |
44 |
34 |
54 |
82 |
34 |
32 |
31 |
25 |
33 |
44 |
75 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
4 |
3 |
3 |
2 |
2 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
5 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
О правде и искренности в искусстве. По поводу одного эстетического вопроса. |
10496 | 442 |
12 |
33 |
35 |
50 |
38 |
36 |
28 |
32 |
29 |
34 |
44 |
71 |
0 |
4 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
4 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
Стихотворения Н. Некрасова |
24463 | 437 |
14 |
38 |
36 |
42 |
46 |
36 |
35 |
32 |
23 |
37 |
41 |
57 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
5 |
2 |
0 |
2 |
0 |
2 |
1 |
Гоголь и его последняя книга |
17715 | 404 |
9 |
43 |
30 |
54 |
33 |
38 |
24 |
33 |
26 |
31 |
45 |
38 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
3 |
4 |
2 |
3 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
Граф Л. Толстой и его сочинения |
13195 | 389 |
7 |
33 |
25 |
69 |
27 |
35 |
24 |
28 |
18 |
31 |
40 |
52 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
2 |
2 |
2 |
5 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
Аполлон Григорьев |
9634 | 388 |
9 |
42 |
26 |
34 |
25 |
30 |
21 |
24 |
25 |
32 |
45 |
75 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
5 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
3 |
4 |
0 |
3 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
Народность и литература |
7225 | 362 |
7 |
32 |
32 |
31 |
50 |
21 |
20 |
33 |
20 |
21 |
41 |
54 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
4 |
3 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
Мои литературные и нравственные скитальчества |
12005 | 361 |
8 |
43 |
32 |
40 |
35 |
27 |
29 |
29 |
16 |
25 |
36 |
41 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
3 |
2 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
4 |
1 |
0 |
Белинский и отрицательный взгляд в литературе |
8886 | 350 |
11 |
32 |
25 |
27 |
33 |
23 |
26 |
30 |
15 |
36 |
51 |
41 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Человек будущего |
8058 | 295 |
5 |
18 |
28 |
25 |
54 |
30 |
20 |
22 |
14 |
20 |
33 |
26 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
6 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
Художественная проза Ап. Григорьева |
12325 | 268 |
5 |
23 |
21 |
26 |
25 |
26 |
16 |
19 |
15 |
19 |
35 |
38 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
"Гамлет" на одном провинциальном театре |
8328 | 248 |
6 |
30 |
26 |
24 |
23 |
21 |
16 |
23 |
11 |
20 |
25 |
23 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
5 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
Лермонтов и его направление. |
8674 | 246 |
2 |
25 |
41 |
17 |
22 |
18 |
21 |
14 |
13 |
20 |
24 |
29 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
0 |
4 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
3 |
1 |
8 |
3 |
1 |
1 |
2 |
1 |
0 |
Офелия |
11453 | 244 |
5 |
24 |
25 |
22 |
28 |
21 |
25 |
17 |
16 |
14 |
23 |
24 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
4 |
0 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
Краткий послужной список на память моим старым и новым друзьям |
7778 | 242 |
4 |
27 |
23 |
25 |
26 |
19 |
18 |
21 |
10 |
14 |
30 |
25 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Заметки Петербургского зеваки |
6446 | 240 |
4 |
14 |
20 |
19 |
24 |
17 |
11 |
27 |
19 |
17 |
27 |
41 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
Григорьев А. А.: биобиблиографическая справка |
11580 | 239 |
4 |
26 |
19 |
24 |
18 |
19 |
18 |
20 |
12 |
19 |
34 |
26 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
Наши литературные направления с 1848 года |
5167 | 229 |
2 |
19 |
13 |
27 |
29 |
24 |
11 |
15 |
9 |
12 |
29 |
39 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
Тарас Шевченко |
6418 | 219 |
4 |
20 |
19 |
16 |
20 |
21 |
19 |
16 |
15 |
16 |
22 |
31 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
Великий трагик |
8871 | 213 |
1 |
22 |
14 |
20 |
17 |
29 |
17 |
18 |
6 |
24 |
22 |
23 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
Граф Л. Толстой и его сочинения |
7982 | 207 |
5 |
20 |
13 |
26 |
22 |
24 |
11 |
13 |
7 |
17 |
20 |
29 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
Князь Серебряный, повесть времен Иоанна Грозного, соч. графа Алексея Толстого |
7537 | 204 |
3 |
21 |
9 |
18 |
16 |
21 |
13 |
19 |
14 |
20 |
23 |
27 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Один из многих |
8153 | 202 |
2 |
16 |
15 |
21 |
15 |
20 |
19 |
18 |
13 |
19 |
21 |
23 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
Оппозиция застоя |
7393 | 201 |
1 |
22 |
15 |
19 |
15 |
17 |
15 |
11 |
17 |
17 |
26 |
26 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
Другой из многих |
6546 | 201 |
0 |
13 |
15 |
21 |
14 |
16 |
18 |
14 |
12 |
23 |
28 |
27 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
"Роберт-дьявол" |
7549 | 196 |
2 |
22 |
16 |
19 |
18 |
14 |
13 |
17 |
11 |
15 |
26 |
23 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
Нигилизм в искусстве |
6926 | 191 |
2 |
17 |
18 |
13 |
18 |
19 |
13 |
15 |
10 |
18 |
28 |
20 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
Отец и сын |
940 | 189 |
3 |
16 |
10 |
18 |
18 |
17 |
12 |
25 |
9 |
13 |
23 |
25 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
Листки из рукописи скитающегося софиста |
7705 | 189 |
2 |
16 |
16 |
18 |
26 |
15 |
16 |
16 |
9 |
13 |
28 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
4 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Стихотворения А. С. Хомякова |
7375 | 188 |
0 |
18 |
7 |
21 |
18 |
17 |
15 |
11 |
13 |
21 |
23 |
24 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
Западничество в русской литературе |
6364 | 184 |
3 |
20 |
10 |
17 |
19 |
14 |
12 |
18 |
8 |
17 |
20 |
26 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Русский театр в Петербурге. II. Длинные, но печальные разсуждения о нашей драматургии |
5027 | 176 |
3 |
14 |
8 |
11 |
18 |
17 |
11 |
15 |
9 |
14 |
35 |
21 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
(О переводе) |
6994 | 171 |
2 |
19 |
13 |
13 |
18 |
15 |
17 |
13 |
7 |
10 |
24 |
20 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
Явления современной литературы пропущенные нашей критикой. "Псковитянка" Л. Мея |
5977 | 167 |
3 |
14 |
12 |
17 |
13 |
11 |
7 |
13 |
18 |
12 |
24 |
23 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
Новые материалы о ранних годах жизни Ап. Григорьева |
6358 | 165 |
1 |
18 |
7 |
12 |
13 |
14 |
13 |
30 |
10 |
12 |
19 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Голос старого критика |
5020 | 162 |
0 |
18 |
8 |
12 |
15 |
15 |
12 |
12 |
11 |
13 |
21 |
25 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
"Нет, не рожден я биться лбом..." |
5136 | 162 |
1 |
16 |
9 |
11 |
10 |
15 |
13 |
15 |
9 |
16 |
22 |
25 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
Москва и Петербург: заметки зеваки |
3395 | 162 |
4 |
16 |
11 |
9 |
13 |
13 |
16 |
15 |
12 |
10 |
23 |
20 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Несколько слов о Ристори |
4939 | 158 |
1 |
18 |
13 |
10 |
15 |
11 |
14 |
13 |
13 |
13 |
19 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Мое знакомство с Виталиным |
6405 | 158 |
1 |
14 |
11 |
17 |
15 |
13 |
10 |
16 |
7 |
12 |
15 |
27 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
Современное состояние драматургии и сцены |
5310 | 156 |
0 |
18 |
11 |
12 |
11 |
12 |
10 |
12 |
8 |
15 |
27 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
Знаменитые европейские писатели перед судом русской критики |
6275 | 153 |
2 |
13 |
5 |
14 |
11 |
16 |
11 |
14 |
12 |
10 |
26 |
19 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
"Когда колокола торжественно звучат..." |
5719 | 153 |
6 |
17 |
9 |
13 |
15 |
11 |
12 |
17 |
8 |
9 |
20 |
16 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Краткая летопись жизни Ап. Григорьева |
7439 | 147 |
0 |
16 |
8 |
15 |
16 |
16 |
10 |
14 |
6 |
8 |
20 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
По поводу одной драмы |
4986 | 147 |
2 |
16 |
10 |
15 |
12 |
12 |
12 |
12 |
8 |
10 |
18 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Отживающие в литературе явления |
4756 | 145 |
1 |
14 |
8 |
13 |
12 |
12 |
13 |
14 |
8 |
14 |
20 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
О постепенном, но быстром и повсеместном распространении невежества и безграмотности в Российской словесности |
4862 | 145 |
5 |
16 |
8 |
13 |
12 |
15 |
11 |
11 |
7 |
13 |
15 |
19 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Аполлон Григорьев и попытка возродить "Москвитянин" |
7773 | 145 |
0 |
16 |
8 |
12 |
14 |
11 |
13 |
11 |
9 |
8 |
21 |
22 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Русский театр. I. По возобновлении в первый раз. |
5827 | 141 |
3 |
12 |
15 |
10 |
12 |
16 |
12 |
10 |
7 |
10 |
18 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |