| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
По разделу |
703475 | 4352 |
9 |
279 |
384 |
355 |
764 |
1479 |
138 |
142 |
172 |
202 |
204 |
224 |
1 |
8 |
11 |
14 |
8 |
9 |
16 |
8 |
4 |
5 |
8 |
13 |
8 |
9 |
6 |
8 |
5 |
11 |
14 |
15 |
6 |
12 |
12 |
11 |
15 |
6 |
6 |
8 |
7 |
4 |
7 |
9 |
4 |
5 |
6 |
4 |
3 |
6 |
12 |
14 |
17 |
33 |
8 |
5 |
10 |
14 |
15 |
25 |
16 |
15 |
8 |
7 |
10 |
14 |
10 |
15 |
10 |
4 |
10 |
27 |
18 |
14 |
После "Грозы" Островского |
120666 | 3855 |
8 |
215 |
308 |
314 |
764 |
1478 |
80 |
82 |
115 |
173 |
151 |
167 |
0 |
8 |
11 |
14 |
8 |
5 |
16 |
4 |
4 |
5 |
4 |
6 |
8 |
4 |
6 |
8 |
4 |
9 |
10 |
4 |
3 |
12 |
12 |
11 |
9 |
5 |
6 |
4 |
7 |
4 |
5 |
4 |
3 |
5 |
2 |
2 |
0 |
6 |
12 |
14 |
17 |
14 |
5 |
4 |
10 |
14 |
15 |
25 |
16 |
4 |
5 |
7 |
10 |
14 |
10 |
10 |
7 |
3 |
10 |
15 |
10 |
13 |
Взгляд на русскую литературу со смерти Пушкина |
34991 | 1433 |
5 |
195 |
219 |
158 |
112 |
89 |
68 |
106 |
128 |
109 |
110 |
134 |
0 |
5 |
3 |
4 |
3 |
9 |
8 |
8 |
4 |
2 |
8 |
13 |
8 |
9 |
5 |
8 |
5 |
11 |
14 |
15 |
6 |
4 |
4 |
3 |
15 |
6 |
6 |
2 |
3 |
1 |
5 |
2 |
1 |
3 |
2 |
2 |
1 |
2 |
6 |
3 |
4 |
3 |
8 |
2 |
3 |
6 |
13 |
4 |
7 |
15 |
4 |
2 |
8 |
6 |
9 |
11 |
6 |
4 |
10 |
24 |
18 |
14 |
Избранные стихотворения |
34148 | 1086 |
5 |
106 |
117 |
103 |
90 |
81 |
89 |
87 |
94 |
93 |
116 |
105 |
0 |
5 |
3 |
4 |
1 |
2 |
4 |
5 |
1 |
4 |
5 |
5 |
3 |
4 |
4 |
3 |
4 |
2 |
2 |
4 |
2 |
1 |
2 |
2 |
2 |
4 |
2 |
8 |
5 |
2 |
3 |
9 |
4 |
2 |
6 |
3 |
3 |
3 |
5 |
5 |
4 |
0 |
2 |
5 |
3 |
8 |
4 |
4 |
7 |
3 |
8 |
5 |
2 |
2 |
2 |
3 |
1 |
4 |
4 |
6 |
5 |
2 |
Критический взгляд на основы, значение и приемы современной критики искусства |
18909 | 696 |
0 |
86 |
165 |
34 |
30 |
48 |
21 |
28 |
41 |
57 |
77 |
109 |
0 |
0 |
1 |
1 |
1 |
3 |
8 |
4 |
0 |
2 |
0 |
6 |
6 |
2 |
2 |
3 |
3 |
7 |
6 |
10 |
1 |
1 |
1 |
0 |
4 |
4 |
2 |
0 |
4 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
3 |
7 |
9 |
2 |
5 |
2 |
2 |
5 |
5 |
6 |
4 |
2 |
2 |
0 |
3 |
3 |
10 |
15 |
10 |
2 |
1 |
27 |
15 |
11 |
И. С. Тургенев и его деятельность |
18371 | 655 |
0 |
71 |
65 |
106 |
85 |
63 |
34 |
21 |
50 |
58 |
57 |
45 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
3 |
6 |
3 |
3 |
6 |
3 |
5 |
2 |
6 |
0 |
5 |
1 |
0 |
2 |
7 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
4 |
2 |
1 |
3 |
2 |
5 |
3 |
1 |
2 |
2 |
4 |
1 |
5 |
0 |
1 |
4 |
1 |
1 |
0 |
4 |
8 |
1 |
1 |
Письма |
9534 | 579 |
1 |
46 |
61 |
50 |
56 |
46 |
56 |
48 |
43 |
60 |
59 |
53 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
3 |
2 |
2 |
2 |
1 |
1 |
1 |
4 |
1 |
6 |
1 |
1 |
0 |
1 |
4 |
2 |
2 |
4 |
1 |
1 |
4 |
2 |
2 |
Несколько слов о законах и терминах органической критики |
9634 | 566 |
2 |
49 |
99 |
33 |
34 |
62 |
41 |
33 |
52 |
55 |
62 |
44 |
0 |
2 |
0 |
2 |
2 |
1 |
4 |
0 |
2 |
1 |
3 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
1 |
3 |
3 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
3 |
4 |
1 |
2 |
33 |
6 |
4 |
4 |
4 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
1 |
1 |
3 |
2 |
3 |
По поводу нового издания старой вещи |
15163 | 515 |
0 |
36 |
40 |
137 |
49 |
49 |
24 |
15 |
33 |
39 |
54 |
39 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
4 |
0 |
0 |
0 |
3 |
1 |
Парадоксы органической критики |
10968 | 500 |
1 |
42 |
83 |
42 |
38 |
27 |
32 |
19 |
45 |
61 |
57 |
53 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
3 |
3 |
4 |
1 |
1 |
1 |
0 |
4 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
4 |
0 |
3 |
3 |
1 |
5 |
5 |
2 |
12 |
5 |
4 |
3 |
2 |
2 |
3 |
6 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
Реализм и идеализм в нашей литературе |
14980 | 493 |
1 |
34 |
54 |
82 |
34 |
32 |
31 |
25 |
33 |
44 |
75 |
48 |
0 |
1 |
2 |
1 |
0 |
5 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
2 |
4 |
1 |
0 |
2 |
1 |
2 |
2 |
4 |
0 |
1 |
2 |
3 |
5 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
Искусство и нравственность |
15854 | 487 |
1 |
32 |
71 |
51 |
37 |
37 |
35 |
17 |
40 |
53 |
64 |
49 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
4 |
2 |
2 |
0 |
7 |
3 |
4 |
4 |
0 |
4 |
2 |
2 |
2 |
3 |
5 |
1 |
3 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
1 |
О правде и искренности в искусстве. По поводу одного эстетического вопроса. |
10452 | 463 |
1 |
35 |
50 |
38 |
36 |
28 |
32 |
29 |
34 |
44 |
71 |
65 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
4 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
5 |
1 |
5 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
4 |
Стихотворения Н. Некрасова |
24413 | 426 |
2 |
36 |
42 |
46 |
36 |
35 |
32 |
23 |
37 |
41 |
57 |
39 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
5 |
2 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
6 |
1 |
1 |
3 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
3 |
2 |
1 |
1 |
Граф Л. Толстой и его сочинения |
13157 | 397 |
2 |
25 |
69 |
27 |
35 |
24 |
28 |
18 |
31 |
40 |
52 |
46 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
2 |
3 |
2 |
8 |
8 |
4 |
2 |
1 |
4 |
2 |
7 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
6 |
1 |
0 |
Гоголь и его последняя книга |
17664 | 393 |
1 |
30 |
54 |
33 |
38 |
24 |
33 |
26 |
31 |
45 |
38 |
40 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
5 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
7 |
Аполлон Григорьев |
9584 | 372 |
1 |
26 |
34 |
25 |
30 |
21 |
24 |
25 |
32 |
45 |
75 |
34 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
Народность и литература |
7186 | 359 |
0 |
32 |
31 |
50 |
21 |
20 |
33 |
20 |
21 |
41 |
54 |
36 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
4 |
3 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
0 |
0 |
2 |
3 |
1 |
Белинский и отрицательный взгляд в литературе |
8844 | 349 |
1 |
25 |
27 |
33 |
23 |
26 |
30 |
15 |
36 |
51 |
41 |
41 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
Мои литературные и нравственные скитальчества |
11954 | 334 |
0 |
32 |
40 |
35 |
27 |
29 |
29 |
16 |
25 |
36 |
41 |
24 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
3 |
3 |
0 |
0 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Человек будущего |
8036 | 292 |
1 |
28 |
25 |
54 |
30 |
20 |
22 |
14 |
20 |
33 |
26 |
19 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
6 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
Художественная проза Ап. Григорьева |
12297 | 273 |
0 |
21 |
26 |
25 |
26 |
16 |
19 |
15 |
19 |
35 |
38 |
33 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Заметки Петербургского зеваки |
6429 | 266 |
1 |
20 |
19 |
24 |
17 |
11 |
27 |
19 |
17 |
27 |
41 |
43 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
Офелия |
11424 | 252 |
0 |
25 |
22 |
28 |
21 |
25 |
17 |
16 |
14 |
23 |
24 |
37 |
0 |
0 |
1 |
0 |
0 |
3 |
4 |
0 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
Лермонтов и его направление. |
8647 | 249 |
0 |
41 |
17 |
22 |
18 |
21 |
14 |
13 |
20 |
24 |
29 |
30 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
3 |
1 |
8 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
Краткий послужной список на память моим старым и новым друзьям |
7747 | 243 |
0 |
23 |
25 |
26 |
19 |
18 |
21 |
10 |
14 |
30 |
25 |
32 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
Григорьев А. А.: биобиблиографическая справка |
11550 | 239 |
0 |
19 |
24 |
18 |
19 |
18 |
20 |
12 |
19 |
34 |
26 |
30 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
"Гамлет" на одном провинциальном театре |
8293 | 235 |
1 |
26 |
24 |
23 |
21 |
16 |
23 |
11 |
20 |
25 |
23 |
22 |
0 |
1 |
1 |
0 |
1 |
1 |
5 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
Наши литературные направления с 1848 года |
5146 | 227 |
0 |
13 |
27 |
29 |
24 |
11 |
15 |
9 |
12 |
29 |
39 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
Тарас Шевченко |
6395 | 221 |
1 |
19 |
16 |
20 |
21 |
19 |
16 |
15 |
16 |
22 |
31 |
25 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Другой из многих |
6533 | 218 |
0 |
15 |
21 |
14 |
16 |
18 |
14 |
12 |
23 |
28 |
27 |
30 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Великий трагик |
8849 | 213 |
1 |
14 |
20 |
17 |
29 |
17 |
18 |
6 |
24 |
22 |
23 |
22 |
0 |
1 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
Один из многих |
8135 | 209 |
0 |
15 |
21 |
15 |
20 |
19 |
18 |
13 |
19 |
21 |
23 |
25 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
Граф Л. Толстой и его сочинения |
7958 | 206 |
1 |
13 |
26 |
22 |
24 |
11 |
13 |
7 |
17 |
20 |
29 |
23 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
Князь Серебряный, повесть времен Иоанна Грозного, соч. графа Алексея Толстого |
7513 | 206 |
0 |
9 |
18 |
16 |
21 |
13 |
19 |
14 |
20 |
23 |
27 |
26 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
Оппозиция застоя |
7372 | 204 |
2 |
15 |
19 |
15 |
17 |
15 |
11 |
17 |
17 |
26 |
26 |
24 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
Листки из рукописи скитающегося софиста |
7689 | 198 |
2 |
16 |
18 |
26 |
15 |
16 |
16 |
9 |
13 |
28 |
14 |
25 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
Нигилизм в искусстве |
6907 | 198 |
0 |
18 |
13 |
18 |
19 |
13 |
15 |
10 |
18 |
28 |
20 |
26 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
"Роберт-дьявол" |
7525 | 192 |
0 |
16 |
19 |
18 |
14 |
13 |
17 |
11 |
15 |
26 |
23 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
Стихотворения А. С. Хомякова |
7357 | 189 |
0 |
7 |
21 |
18 |
17 |
15 |
11 |
13 |
21 |
23 |
24 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Отец и сын |
924 | 186 |
3 |
10 |
18 |
18 |
17 |
12 |
25 |
9 |
13 |
23 |
25 |
13 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
Западничество в русской литературе |
6342 | 186 |
1 |
10 |
17 |
19 |
14 |
12 |
18 |
8 |
17 |
20 |
26 |
24 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Русский театр в Петербурге. II. Длинные, но печальные разсуждения о нашей драматургии |
5010 | 180 |
0 |
8 |
11 |
18 |
17 |
11 |
15 |
9 |
14 |
35 |
21 |
21 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Явления современной литературы пропущенные нашей критикой. "Псковитянка" Л. Мея |
5960 | 170 |
0 |
12 |
17 |
13 |
11 |
7 |
13 |
18 |
12 |
24 |
23 |
20 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
(О переводе) |
6973 | 168 |
0 |
13 |
13 |
18 |
15 |
17 |
13 |
7 |
10 |
24 |
20 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Новые материалы о ранних годах жизни Ап. Григорьева |
6340 | 167 |
1 |
7 |
12 |
13 |
14 |
13 |
30 |
10 |
12 |
19 |
16 |
20 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
"Нет, не рожден я биться лбом..." |
5119 | 165 |
0 |
9 |
11 |
10 |
15 |
13 |
15 |
9 |
16 |
22 |
25 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
Москва и Петербург: заметки зеваки |
3376 | 162 |
1 |
11 |
9 |
13 |
13 |
16 |
15 |
12 |
10 |
23 |
20 |
19 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Голос старого критика |
5002 | 159 |
0 |
8 |
12 |
15 |
15 |
12 |
12 |
11 |
13 |
21 |
25 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
Мое знакомство с Виталиным |
6390 | 159 |
0 |
11 |
17 |
15 |
13 |
10 |
16 |
7 |
12 |
15 |
27 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
Современное состояние драматургии и сцены |
5292 | 156 |
0 |
11 |
12 |
11 |
12 |
10 |
12 |
8 |
15 |
27 |
20 |
18 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
Несколько слов о Ристори |
4920 | 156 |
0 |
13 |
10 |
15 |
11 |
14 |
13 |
13 |
13 |
19 |
18 |
17 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
Знаменитые европейские писатели перед судом русской критики |
6260 | 154 |
0 |
5 |
14 |
11 |
16 |
11 |
14 |
12 |
10 |
26 |
19 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Письмо к В. Ф. Одоевскому |
4514 | 150 |
0 |
9 |
13 |
12 |
11 |
10 |
9 |
13 |
10 |
18 |
22 |
23 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
По поводу одной драмы |
4968 | 150 |
0 |
10 |
15 |
12 |
12 |
12 |
12 |
8 |
10 |
18 |
20 |
21 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
Аполлон Григорьев и попытка возродить "Москвитянин" |
7757 | 149 |
0 |
8 |
12 |
14 |
11 |
13 |
11 |
9 |
8 |
21 |
22 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
"Когда колокола торжественно звучат..." |
5696 | 149 |
0 |
9 |
13 |
15 |
11 |
12 |
17 |
8 |
9 |
20 |
16 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Отживающие в литературе явления |
4741 | 148 |
0 |
8 |
13 |
12 |
12 |
13 |
14 |
8 |
14 |
20 |
16 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Краткая летопись жизни Ап. Григорьева |
7424 | 147 |
1 |
8 |
15 |
16 |
16 |
10 |
14 |
6 |
8 |
20 |
18 |
15 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Русский театр. I. По возобновлении в первый раз. |
5812 | 147 |
0 |
15 |
10 |
12 |
16 |
12 |
10 |
7 |
10 |
18 |
16 |
21 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |